This spring, we have all isolated ourselves from the rest of the world. But the “stay home” campaign has also provided us with the opportunities to enjoy lots of art exhibitions and performances online.

Every year, TPAM (Tokyo Performing Arts Meeting) held in February in Yokohama will attract artists, theatre companies and investors from different parts of Asia.

The commercial world was an entry point for me to enter the theatre industry instead of the finish line. 

As one of the theatre workers in Macao, I’ve been sharing with our readers in this column how to make a tentative exploration of the industrialisation of dramas in practice. 

After long anticipation, the Cultural Affairs Bureau (IC, from the Portuguese acronym) has finally optimised the 2020 Subsidy Scheme for Cultural Activities and Projects.

After I was given the task to plan the BOK Festival, an event dedicated to performing arts that will take place this August and September, I invited two artists from Shanghai in late May...